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II: The Professional Complaining Career

Big gratitude to all those enthusiastic people that have made complaining such a rewarding activity.

T.Kalleinen & O.Kochta Kalleinen
Bauhaus Complaints Choir project 2022
Nadja Kracunovic & Margarita Garcia

Opening the door of the radical wardrobe

From the very beginning of my professional complaining career in winter 2021, I traveled with the book of S.Ahmed and my little diary through everyday situations. At first, I took advantage of the Complainitivism blog to store there everything I could not in other places. Safe-travels blogging. I embraced the chance to hang out in the cheap hostels in Cairo, my WG in Weimar, and different flats and places I inhabited since that stimulated my writings. I remember most of my life I was so loud in complaining, loving it, and hating it simultaneously. On the other hand, it was such a good tool to protect not just me, but also somebody who could be bullied due to no voice. It means transforming the voice into something useful instead of using it for something that empowers the ego. Me, the protector, the rescuer – the one that provides space, I pictured. It already happened – entering the world of displeasure through the texts, and diving into the whole new world of complaining as art practice. There was the moment when the book divider cut Sara Ahmed’s piece in half, somewhere around Occupied spaces in Part IV, and I felt precisely the task I had – to take care of the voices pragmatically instead of theoretically. To give complaints somewhere to go and open the door. The same day I decided to propose a project called Bauhaus Complaints Choir.

Something

Something itchy decisively and loudly screams from the bodies of these young people – I thought after the first Complaintivsm live session. Emotions and openness were splashing the walls of the institution, group therapy as if nothing will exist after it. The respect for my wonderful colleagues, it is my true pleasure to share the walls with them, while pretending that the walls do not exist. How will we proceed? How to root out the issues we mentioned there and eradicate the origin of the problem? This was the basis for the cabinet I imagined creating. The place of the singing drawers, a closet full of thoughts. The words that gravitate towards the reform and aim to dissolve the complex procedures.

https://cptv.artnextsociety.net/wp-content/uploads/2022/01/anotnina34-2.jpg

BCC (Bauhaus Complaints Choir) is an experimental chorus aiming to structure and coordinate the complaints within the institution. While giving a space for the voices of the students, professors, and all employees of our university, I and my colleague Margarita Garcia decided on creating the lyrics out of the complaints we receive. Making a complaint within the institution often requires reflecting on it. BCC is a cabinet for both institutionally and privately held complaints. Allof them are welcome. The music follows the dynamics of the writings, combining global, indigenous, dispossessed, classic, and experimental.

Nothing

I must share a sort of disappointment regarding the response within the BCC (Bauhaus Complaints Choir) open call, that weirdly hurt me. My fragile ego was mixing the anger, protest, sadness, and actual result of the call. For weeks there was no complaint on the form. I wondered what is the problem? There must be something standing between a person who is about to voice their displeasure and me building a cabinet and waiting for it. Is there a bug in the system, a mistake in the approach?

‘’Hey Nadja, this rocks. ‘’
‘’Bravo, I hope you get a lot of complaints.’’
‘’This is such an important project!
‘’
‘’Girl, this is what this university needs.’’

…but no complaint was appearing on our form, nor being dropped in the mail. No letter, no notification, no displeasure. It might be that I have made a piece of marketing, a product, and lost its actual objective on the way. One person even texted me that she would like to participate, but she really does not have anything to complain about. Even an apology followed this statement. I was feeding the air, the social media, and idea, but not the people, I suppose. On the other hand, there was this question: Are we so overwhelmed with the individual, inner complaints that the task to complain somewhere else, outside, feels like one more errand? I do understand this. I do not blame. I am, myself, having way too many on my list.

However, some complaints made BCC’s idea fight for its existence in my head, still taking the failure as the legitimate and integral part of the process. At some point, the letters started appearing – the response came from the crowd.

Additionally:

“If you have to complain because of failed processes, you have to enter yet more failed processes.”
S.Ahmed

If I am about to create a real cabinet for the complaints, I should take care of it in the best possible way. I have to learn from the empty spaces in the form, as much from the filled ones. Moreover, it is just the beginning of BCC’s radical wardrobe, and the door has just opened.

Valituskuoro: Who sings the things?

Valituskuoro: Who sings the things?

The world of diverse voices amazes me. From the collective art performances to the theater stage happening, I was always a big devotee and admirer of this kind of noise. Except for the melody of the crow, I am in love with complaining as a sport of choice. Therefore, I started searching for enthusiasts in the same field.

In the Finnish vocabulary, there is the expression “Valituskuoro (literally ‘’Complaints Choir’’) and it is used to describe situations where a lot of people are complaining simultaneously. In my research, I found the two names that are taking this expression seriously.

Studio Kalleinen projects

Complaint

It is my true pleasure to introduce the artist duo Oliver Kochta-Kalleinen and Tellervo Kalleinen, Helsinki-based contemporary artists working with cinema, installation, performance, and events. In their practice, they attempt to merge the languages and approaches of several disciplines, such as film, performance, game design, experimental education, facilitation, social architecture, and alternative economies. They construct situations and invite people to join her for collective adventures.

Complaints choirs took place in primary schools, streets, churches, villages, and big cities… Complainers started their movement worldwide. Better said, they occupied spaces.

Another example is The Resistance Revival Chorus from New York that introduces themselves as activists exploring music and musicians exploring activism. RRC is a collective of more than 60 women and non-binary singers, who join together to breathe joy and song into the resistance and to uplift and center women’s voices. Chorus members are touring musicians, film and television actors, Broadway performers, solo recording artists, gospel singers, political activists, educators, filmmakers, artists, and more, representing a multitude of identities, professions, creative backgrounds, and activist causes. And we have now the BCC (Bauhaus Complaints Choir) that exists in specific time and space. We are students, designers, artists, filmmakers, supervisors, tutors, professors, activists, protesters, everyday people. We are the diverse voices of a particular context and we aim to voice up.

Say complaint – and there I am, building my professional complaining career.

To participate in the Bauhaus Complaints Choir, please enter here.

Sincerely, informally, with the pleasure. Yours,

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Sich weiter beschweren

Im letzten Teil ihres Buches “Complaint!” erwähnt die Autorin Sara Ahmed eine Reihe von Ideen zu Beschwerden. Einigen von ihnen stimme ich wirklich zu. Und die Sätze sind eine große Inspiration für diejenigen, die sich beschweren wollen.

“I believe in complaining, even when it’s a bad outcome, just creating that record of what happened. I am glad that it exists for me, and that if any questions are raised I have it. I did lodge a grievance, I had a go, I did try.”

“A record can be what matters to the one who assembles it; a record can be a reminder that you made an effort, that you had a go, even if that effort did not lead to institutional change.” (S. 288)

Dieses Zitat erinnert mich an einen Spruch, der mich schon oft inspiriert hat: “Wenn man sich anstrengt, hat man nicht immer Erfolg, aber wenn man sich nicht anstrengt, wird man definitiv keinen Erfolg haben.” Mit Beschwerden verhält es sich genauso: Man muss eine Beschwerde einreichen und sich die Mühe und Zeit nehmen. Letztendlich hat die Beschwerde möglicherweise keinen Erfolg. Aber wir müssen es trotzdem versuchen, um gegen die dunklen Dinge zu kämpfen.

“I leave no trace of wings in the air, but I am glad I have had my flight.”— Rabindranath Tagore

“Even going through an exhausting of processes can have creative potential. Yes, we can be in a state of exhaustion because of that process. But complaints, even formal ones, slow and tedious ones, long and drawn out, can be creative. ”(S. 289)

“I suggested earlier that even when our complaints end up in filing cabinets, we take them with us. I also noted that we don’t always know where complaints go, before they are filed. But even when complaints end up in filing cabinets, they can get out; we can get them out. Filing cabinets are temporary shelters. The more letters written, the more letters to leak.” (S. 298)

Wir alle wissen, dass die meisten unserer Beschwerden im Aktenschrank verbleiben. Der Aktenschrank ist eine sehr verbreitete Methode, um Beschwerden zu vertuschen. Aber er hat einen begrenzten Platz und kann nicht alle Beschwerden abdecken. Wenn wir also weiterhin auf unsere Beschwerden beharren und uns wehren, werden diese Beschwerden irgendwann ernst genommen werden.

Natürlich hat eine Beschwerde viel mehr Aussicht auf Erfolg, wenn sie von einer Gruppe unterstützt wird. Die Realität ist jedoch, dass viele Beschwerden von Einzelpersonen eingereicht werden. Wenn also diese ähnlichen Beschwerden als Kollektiv zusammengefasst und zusammengeführt werden könnten, wäre die Wirkung der Beschwerde sehr groß. “Two heads are better than one.” Die Autorin Sara Ahmed hat viele individuelle Beschwerden zu einem Kollektiv zusammengefasst, um dieses Buch zu schaffen. Das Buch enthält eine große Anzahl von Vorfällen aus dem Leben der Beschwerdeführer und berührt viele Aspekte des Lebens. Ja, es ist die Kraft einer kollektiven Beschwerde.