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Voicing displeasure #4 Strange Fruits

The fruits are strange, the air is dry, my body moves slowly until it completely dries.

Welcome to the Strange Fruits episode of the Voiced Displeasure. Maybe the least favorite one, but tasty, for sure. Poetic, inevitably. The main protagonist relates to the 3 sections: Juice, danger, and joy; Systems, sugar, skin, and stain; The land of rightness, emptiness, and gray color. Next time instead of the external keyboard, you might bring the fork. Have you ever heard a fruit talking? Did you find it uncomfortable? Understandable. No judgments. This is a safe space. Let´s bite.

JUICE, DANGER, AND JOY

”I am a little parasite stuck on your ceiling, watching and waiting for the right moment to grab your face. I am an angry skeleton under the thousand layers of this skin blanket. I want to get out of my colonized past.

I am the one you want to squeeze. My lemonish, bitter body is hanging on the walls of your borders. Experience the haptic touch of this nectarous object – me. Me, the stranger. You – domestic. Me – the dirt on Your floor. You – the boundary. My amorph shape stands out from the crowd, breaks the concrete, entering the void. I produce joy. Try me. I am a violent inhabitant trying to break your comfort. I am the stain spot of this system.

These little hands were holding the poles in the foreign trains and buses, being observed. My hands are being watched – the way they move, how the fingers fold and dance around the strange objects. I am the sensation. My legs are making the gaps between the foreign feet, stepping into the unknown. Kissing the strange ground, while dropping the strange juice into the dry field. My earlobes are made of sugar, melting in the strange air. My lungs are suffocating from the bizarreness of this place. Its mystifying inner shakes my foreign outer. Its breeze freezes me. I must get out.”

THE FRUITS FROM A STRANGER

MANIFESTING THE JOY OF THE DANGER

Residents Aliens, drawing
©Nadja Kracunovic

SYSTEMS, SUGER, SKIN, and STAIN

My charming existence.
My strange fruits.
Its juicy resistance,
that shoots the roots.

The alluring, strange chain,
keeps my existance remain.

My omnipresent stain
melts the acid rain.

The land of rightness, emptiness, and gray color

Welcome to Saxony, the land that tears the skin of the beast. Welcome to the act of peeling one’s outer. Chemnitz means stones, coming from the language that I can understand, for some reason. Welcome to Chemnitz, friends. Welcome these words that are coming and be free to dive into the experience.


”The strangeness climbs through my spine, from the bottom. Slowly and precisely it covers the whole backside. I feel the structure and heaviness of my skull. My earlobes are collapsing. My head leans towards the shoulders as if it is going to fall. I feel alienated from the outside.

Some parts of my body feel numb. There is a space around my inner skin that I have no contact with. I turn my head to the right I look at one point. My attention stays in the corner of my eye creating the tension of the eye muscle. I can see the small humans inside a human, I sense how they move around me. I see the shadows of these bodies, I feel the coldness piercing my outer strongly through the borders. I AM THE OTHER. The other on many that are the same.

I slowly pull my own inside towards the outside shell. I humbly tore the skin of a creature. I peel the layers of its skin and try to get out. It lasts and feels like forever. I am the stain spot on this map. Pulling. Vibrating. Pushing. I am so alive.

PS: NEVER EAT THE FRUITS YOU HAVE NEVER SEEN BEFORE.

* “Strange Fruit“, Abel Meeropol, Billie Holiday, 939, https://en.wikipedia.org/wiki/Strange_Fruit

The displeasure of Strange Fruits was inspired also by the book „Strange Fruit“ by Lilian Smith, 946, https://en.wikipedia.org/wiki/Strange_Fruit_(novel).

By Nadja Kracunovic

N.K. (b.1996) is a visual artist from Serbia, based in Germany.

Expressing her humanity and imagination as well as her humor, Kracunovic uses different mediums to create site and context-specific works, with mixed-media being the most prominent in her work. Through art, she has been dealing with the consumption of one’s intimacy, sexuality, and private body.

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