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БЕЗНАЂЕ (BEZNADJE)

This fairytale is a well-established concept, an interpretation, and the invention of the main protagonist of the story.

“My poor little Nadja, I wish I could scoop up your remains every time you fall apart,” she said, addressing herself, facing the text her thoughts had just woven.

The story consists of a bunch of words in English, many complaints, self-criticism, world criticism, global politics, conflicts, and personal reflections. Its content is not actually a story at all. It is more of a fake, fictional etymology of the Serbian word “beznadje” which started all this textual fuss.

Hunger, acrylic on plywood, 50x70cm
2017
©Nadja Kracunovic

ONE AND ONLY CHAPTER:
ALL THE LET’S

Neoliberal capitalism breeds charming little monsters. My name is Nadja, welcome to my overexistence.

There is a word in my mother tongue, a word in which I had planted my ego years ago and have watered it ever since. In Serbian, we say beznadje / beznađe meaning hopelessness or more precisely: without hope. This compound combines the word bez (without) with my beautiful name (Nadja), by coincidence. The world without Nadja makes me sad. Sometimes I blame my small, generous family for splashing so much love onto me. You are guilty of my ego plantation and egocentric perspective. You made me overexist. There are times when I miss them so much that being so far away from their warm, loving bodies tears me apart. Time has shown me that they are the creators of the most beautiful and disgusting things that my being consists of. Let’s discuss it in my monologue.

My anxiety is reversed. Instead of, as a hedgehog or a snail, squeezing my face inwards, I go for more of what makes me anxious in the first place. Instead of covering my face with an emergency blanket, I apply for a new open call, I make a new friend, and I make new art. I overwhelm myself, volunteering for my own destruction. I stretch my body on the ceilings of contexts I do not even belong. It hurts so damn much being a captive of your own brain. It makes me feel trapped, stupid, unable to progress. I have been hanging on this clothesline ever since, and it seems I won’t pick up my clothes soon. Let me dry.

Beznadje, acrylic on cardboard, 50x25cm
2019
©Nadja Kracunovic

I am tired of being excited. Recently I asked my mom if I was born like this. I believe I was: strongly into everything along the way, wanting, eager for everywhere and everyone, not belonging, not existing for real, never loving anybody but their love for me, never accepting anything that does not benefit me in some way… The vicious cycle of every, any, every. The excited monster always wants to see another garden and love another flower. I am a factory. My production is unbelievably fast, so is my consumption. However, I do understand this method of mine very well, I simply fear not having the options. If I get one NO, there is something about to be a YES. If he leaves me, there is another HE loving me in the background. If you make me choose just one, I will disappear from it, whatever it is. I am a union of the contexts and queen of my clothing. I am not one, but plural. Let me be swallowed by my monsters, it is the only way to survive.

I thought about the book title that I might write if I switch from art to popular psychology book title copywriting. “How to plant, cultivate, and water your multiple egos”. Best-seller, right? I would give a course on multitasking, productive puma advice, and self-destruction, inevitably. And what is with me and this puma thing? I do compare myself to a black panther on a daily basis. Let me be the best there is in the capitalist jungle.

Yesterday I cried my face off while jogging through a German landscape. It felt like it was about to explode. I am not sure what exactly, but I felt its shape right above my bladder, growing and pulsing. Like a creature. I gave birth inside my belly. The pregnant puma is starting to feel the pain. It hurts so much. It pierces and paralyzes me. I cannot do this anymore. Stretched over my red sofa, I tried to collect the puzzle pieces and get through the fog I found myself surrounded with. It felt so blurry that I didn’t even know how to carry myself from the sofa over to my bed in the corner. It took my excited body and it suffocated me. How can I live in this world without Nadja? If she becomes tired and sad, what is this all about? She hurts me, she is killing me. I want her to calm down and pick up the fucking clothes.

Puma needs to sleep for the time being. Now, let me breathe and sing Nadja a lullaby.

By Nadja Kracunovic

N.K. (b.1996) is a visual artist from Serbia, based in Germany.

Expressing her humanity and imagination as well as her humor, Kracunovic uses different mediums to create site and context-specific works, with mixed-media being the most prominent in her work. Through art, she has been dealing with the consumption of one’s intimacy, sexuality, and private body.

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